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(CLICK ON THE IMAGES TO WATCH THE ENTIRE COMMERCIAL)

Elo Company

00:04 - 00:10


CLIENT

Honda


COMPANY

Gizmo - 2012


DESCRIPTION

I developed the technique we used to fill the entire stadium with people and implemented it on every shot for this ad. We asked the director to film a tribune full of people from nine different camera angles. We then used that info to paint and fill the stadium, using camera projections in the cases where we had camera moves. This entire project was made in Nuke.


Axe Excite

00:10 - 00:12


CLIENT

Unilever


COMPANY

Muu cine - 2010


DESCRIPTION

I did the wings. Modeled and texturized 10 feathers. Used an IK chain as a base for the rig and programmed a script that made the creation, positioning and rigging of the primary and secondary feathers completely automatic, giving me full control over its total number at all times. Every single feather could be bend, scaled and rotated individually or by groups with animatable falloffs. For the covert feathers I used the DodoMaster script by Semir Saleh.

CQC Explosion

00:12 - 00:16


CLIENT

Telefe


COMPANY

Cuatro Cabezas - 2009


DESCRIPTION

I made everything except for the flares and original artwork. I did some fluid simulations with Realflow using the letters' shapes and added the logo fragments with a rigid body simulation. Rendered with Mentalray in Maya.

A Liga

00:16 - 00:18


CLIENT

Band


COMPANY

Cuatro Cabezas - 2010


DESCRIPTION

I did everything in this piece, along with applications to the hosts' names. Used particles controlled by expressions and fragments of the letters. It was done using a series of multiply-divide nodes and custom attributes that controlled the timing and spacing of each letter's animation from a single parameter. To make the application in other words an easier task I programmed some scripts that made everything automatically. Used Maya for 3D and After Effects for compositing.

Infierno en Cromañon

00:18 - 00:20


CLIENT

Herdez


COMPANY

Gizmo - 2013


DESCRIPTION

I worked on the main character shading and lighting/compositing of some of the TV ad shots. Used Maya/VRay and Nuke for compositing.

Redoxon video game

00:20 - 00:38


CLIENT

Bayer


COMPANY

Gizmo - 2012


DESCRIPTION

For this project I worked as the Lead CG artist, focusing mostly on lighting, shading and compositing. I developed the final aesthetics for the entire commercial and also prepared procedural 2D FX to be used by the other artists. The project was rendered using Vray and for the comp we used After Effects.

CQC 2009

00:38 - 00:41


CLIENT

Herdez- Saber Nutrir


COMPANY

Gizmo - 2013


DESCRIPTION

For this project I worked on shading, lighting and compositing using Maya, VRay and Nuke.

EW4K

00:42 - 00:47


CLIENT

Eyeworks


COMPANY

Cuatro Cabezas - 2008


DESCRIPTION

This was my first work as a professional 3D artist. I did all the animation, some shaders and modeled some of the pieces in Maya. Also did the comp work, except for the Lens Flares, and used After Effects for it.

EW4K

00:47 - 00:49


CLIENT

Sal de Uvas Picot


COMPANY

Gizmo - 2013


DESCRIPTION

For this ad I worked along the lighting and CG hair styling artists of the studio to develop the look the client was looking for the cow. I used a base beauty pass and then added some rim lights and custom passes to better shape the volumes of the character. This project was comped in Nuke.

Navarro Correas

00:50 - 00:53


CLIENT

Navarro Correas


COMPANY

Gizmo - 2011


DESCRIPTION

I did everything except modeling and particle dynamics. To achieve the client exact desired look in a short amount of time I used Normals and UV passes. Used Vray for rendering and After Effects for compositing.

Elo Company

00:53 - 00:56


CLIENT

Bakano


COMPANY

Iki - 2013


DESCRIPTION

I worked on this project for Colombia's Bakano brand. We did a couple TV ads with these characters but I particularlly liked this style frame. I posed the characters and did lighting and compositing using Maya, VRay and After Effects.


Zee Business

00:56 - 01:07


CLIENT

Zee Business


COMPANY

Figurinas - 2011


DESCRIPTION

I did everything except for the concept art. To achieve the client desired lighting look I rendered a pass for each light and worked with them in comp. Used Vray for rendering and After Effects for compositing.

Beldent Sensations Demo

01:07 - 01:11


CLIENT

Beldent


COMPANY

Gizmo - 2011


DESCRIPTION

Worked on concept art, shading, lighting, compositing and inorganic modeling. Used Vray for rendering and After Effects for compositing.

CQC 2010

01:18 - 01:20


CLIENT

Telefe


COMPANY

Cuatro Cabezas - 2010


DESCRIPTION

Worked on modeling, lighting, animation, shading and compositing. Also developed the FX in After Effects as part of the compositing work.